Bestselling New York novelist Henry Jenkins (Richard Burgi) is not a man of many words. He drinks his tea and enjoys his toast, and walks no more than four blocks to seventh street to Lizzy's coffee shop, where he sits three seats away from the door. Henry has finished the final draft in his penultimate novel in the "Blood Asp" series, which have won him multiple awards over the years. Lizzy Garland (Heather Snell), on the other hand, is a woman of many words. She keeps her customers coming back with her warm spirit and inviting conversation. Henry stays for the tea, and because it takes his mind off certain things.... But he has a plan, and a machine, which if things go well, he will get them back, and will remember how they smiled...

Criminals hijack an airplane carrying five beauty contest finalists, but unknowingly they've also kidnapped a government agent carrying a dangerous virus that is to be used in bacterial warfare.

蜜雪兒的四位閨蜜們到山中小屋來找她，許久不見的她們無酒不歡。夜晚降臨，蜜雪兒準備了一個神祕的遊戲：碟仙。沒想到此舉竟引來從前在小屋被燒死的怨靈，姊妹們一個個被附身後開始自相殘殺，剩下的人該怎麼從這裡逃脫呢？

A guy and a girl play copycat with each other from opposite sides of the street, that is, until a slightly abrupt & uncopyable event occurs.

A guy and a girl play copycat with each other from opposite sides of the street, that is, until a slightly abrupt & uncopyable event occurs.

A Thai comedy about two lazy, quirky bikers who discover than an alien has infested Thailand. The buddies find themselves reluctant heroes when they have to lead the mission to save the world from the uninvited visitors.

Three seemingly ordinary but deadly uncles, whose fate sets them in motion again. It depicts the everyday lives of three middle-aged men, who have lived 50% of their lives, and the realistic comedy of these uncles who are even sadder because they were successful in their past.

Three seemingly ordinary but deadly uncles, whose fate sets them in motion again. It depicts the everyday lives of three middle-aged men, who have lived 50% of their lives, and the realistic comedy of these uncles who are even sadder because they were successful in their past.

Ashlyn longs to be on stage, but her inability to accept herself keeps her from pursuing that dream. When confronted with the opportunity to audition for the lead role in her school's play, Ashlyn must decide whether to hide who she is or risk showing herself.

"John Smith's Leading Light evolves a sense of screen depth and surface through the simple agency of light. The film is shot in a room over a period of a day and records the changes in light through the single window. The image is controlled through manipulation of aperture, of shutter release, of lens, but the effect is more casual than determined and the spectator is aware primarily of the determining nature of following sunlight." 　　Deke Dusinberre 'Perspectives on British Avant-Garde Film' catalogue 1977